DYLAN MCGARRY
Dylan McGarry is a scholar, activist-pracademic, and multimedia artist working across disciplines and scales. He holds a transdisciplinary PhD in Environmental Education from the Environmental Learning Research Centre (ELRC) at Rhodes University, South Africa, with an informal split-site affiliation with the Social Sculpture Research Unit (SSRU) at Oxford Brookes University.
His early career moved between Fine Arts, performance, and biology, driven by a deep desire to work with animals and respond to escalating global ecological crises. This led him to train as a zoologist and marine biologist, and later as an environmental scientist. Over time, he recognised that meaningful change required a focus on socio-cultural transformation. Storytelling became a central tool in this work, with his practice spanning visual art, theatre, social sculpture, and other hybrid forms. Through these, he explores how “suitably strange” creative practices can reshape inner worlds and, in turn, influence broader social and ecological realities.
He now operates within a dynamic nexus that bridges research and creative practice, contributing to fields including educational sociology, ecological economics, anthropology, social learning, and social and environmental justice. He is currently co-director of the One Ocean Hub, a global research network focused on transformative governance, and continues to develop Empatheatre—a theatre-based approach to transgressive social learning and an extra-legal pathway toward more democratic policy change. His academic work spans sustainable rural development, environmental justice, ecological citizenship, and practice-based arts research.
At the core of his creative practice is a focus on empathy. He works with imagination, listening, and attentiveness as sculptural materials, exploring their potential to foster deeper forms of connection and learning. His expertise lies in developing pedagogies of empathy within the context of ecological citizenship, investigating how these intangible qualities can shape both personal and collective transformation. He is also the founder of the Institute of Uncanny Justness, a collaborative platform dedicated to exploring the role of experimental creative practice in reimagining learning, activism, and justice.
CAN MY CLIMATE GRIEF BE MENDED
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“Can my climate grief be Mended” I also began while I was curating another show entitled Wit(h)ness, that was inspired by my ongoing solidarity work with Palestine, and trying to stay with the painful reality of the situation. I immediately could feel that the arguments on political and religious grounds, were keeping us from fully being present to the felt reality of the crises. My grief for the people of Congo, Palestine & Sudan was conflating and coagulating with my ongoing ecological and climate grief, as recent floods devastated fellow citizens in the Cape, particularly in the Cape flats. These outer world perils and inner personal ones, created a deep emotional response to the loss and degradation, mixed with personal and existential emotional pain left me feeling utterly helpless. I needed to find a to have a tactile conversation with materials, with images that were arising, as way to hold other conversations with friends and family. These watercolour paintings, which I had screen printed on hemp linen became a sanctuary where I could wit(h)ness the ecological crisis and other poly crises, with myself and with others. Inevitably | would be stitching these at family gatherings or with friends, and the work would guide our conversations and musings. With each stitch and mindful practice of 'mending' these images in my mind, I am able to stay or dwell on difficult realities with more generosity and creativity than usual.
The practice of runner stitch, or 'boro' as it is referred to in Japan, allows me to practice mending as a daily embodied and tactile reality, and in some way that helps me stay present and not shy away from the challenges posed by the ecological and humanitarian crises we face today.

Dylan McGarry
Can My Climate Grief Be Mended I
Watercolour Screen Print on Hemp Linen with Embroidery Thread
40 x 50 cm
Framed​
R 35,910
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Dylan McGarry
Can My Climate Grief Be Mended III
Watercolour Screen Print on Hemp Linen with Embroidery Thread
40 x 50 cm
Framed​
R 35,910
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Dylan McGarry
Can My Climate Grief Be Mended IV
Watercolour Screen Print on Hemp Linen with Embroidery Thread
40 x 50 cm
Framed​
R 35,910
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