Fine Arts Cum Laude graduate from the University of Potchefstroom, Christiaan Diedericks has created an impressive body of work over the years. He went on to complete his Masters in Fine Arts Cum Laude (practical component) at the University of Pretoria in 2000. 


Diedericks has exhibited extensively throughout Southern Africa, as well as internationally. His work has been exhibited in the USA, Japan, Finland, Spain, Germany, Turkey, Poland, Belgium, England, Sweden and France, where he worked, as artist in residence, at the Cité Internationale des Arts in Paris. Diedericks has also worked in New York, after receiving the prestigious Ampersand Foundation Fellowship, where his work was exhibited to critical acclaim in the New York Blade newspaper, at the gallery 5+5 in Brooklyn, in December 2007. 



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Diedericks, amongst his many achievements, has also been awarded artist residencies at the Frans Masereel Centrum, Belgium; The Halka Art Project, Istanbul, Turkey; The Venice Print Studio for large format printmaking, Italy and the Chhaap Foundation in India recently awarded Diedericks with an AIR in June/July 2013.  


In 2006 Christiaan was the winner of the coveted Kanna award for Fine Arts at the ABSA KKNK festival in Oudtshoorn for his exhibition Secrets and Lies: Her Majesty's Ivory Tower. He has also been given numerous grants over a broad spectrum, which range from a NAC International bursary for workshops in non-toxic printmaking in 1999 from the Grande Prairie Regional College in Alberta, Canada, to being chosen to appear on the 13th “The Apprentice” on SABC 3 in Johannesburg in 2005.



Potchefstroom Museum - South Africa

Potchefstroom University - South Africa

Ostrobothnian Museum - Vaasa - Finland

Cité Internationale des Arts - Paris - France

Museum of Contemporary Art - Chamalieres - Auvergne - France

SAAA - Head office - Pretoria - South Africa (collection sold)

Biblioteque Nationale - Paris - France

The Robert Loder private collection - Johannesburg - South Africa

Telkom SA LTD - Johannesburg

Investec Bank - Cape Town

Pretoria Technikon - Pretoria

Durban University of Technology

Sasol – Johannesburg

Sasol Group Services – Secunda

Sasol Gas – Johannesburg

Medunarodna Galerija Portreta - Tuzla - Republic of Bosnia and Herzegovina

Muceo Nacional del Grabado - Buenos Aires - Argentina

Durban Art Gallery - Durban

ABSA Bank – Johannesburg

Rand Merchant Bank – Johannesburg

Spier Collection – Stellenbosch

Sanlam Collection – Cape Town

MTN Collection – Johannesburg

Artbank – Johannesburg

The Department of Art and Technology, – Pretoria

New York Public Library print collection, - New York City, USA

Ampersand Foundation studio collection, - New York City

Johannesburg Art Gallery

Gallery 5 + 5, Brooklyn, - New York City

Dept of Science and Technology - CSIR – Pretoria

RMB Academy – Johannesburg

Potchefstroom Gimnasium – Potchefstroom

University of Johannesburg – Johannesburg

ATKV – Johannesburg

Frans Masereel Centrum – Kasterlee, Belgium

MOMA (The Museum of Modern Art) – New York City, USA

South African Consulate – Lagos, Nigeria

Leslie Lohman Museum of Gay and Lesbian Art – NYC, USA

University of Cape Town – Cape Town

La collection de la Biennale Internationale d’estampe Contemporaine de Trois-Rivières – Quebec, Canada


Artist Statement:


"In my work, time and space appear to dissolve, and an air of conflict erupts. This is often a direct result of a personal aim to calm and disturb at the same time - drawing parallels between the two extremes of utopia and dystopia. There is always a secondary narrative in my work. The primary narrative has symbolic authority and aesthetic promise, although the mysterious secondary narrative exists in order to provoke thought in the viewer.

In many ways I aim to ‘rewrite’ history in my work and the dominant sense of self-awareness that informs most Western art practices. I am trying to present contemporary issues such as Difference as timeless, by situating my vocabulary of images and themes in an organic flux of dreams, history, news, commercial detritus, hyper-reality, and unvoiced feelings and forces of biological nature/desire."

October 2012

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